![]() And it all came together.Īre you feeling prepared now, to be that person that you would've reached out to for the upcoming showrunners of things? ![]() Think about that on the scale of also, the first-time studio, and then imagine how pleased I am that we got it done. Everyone always knows Seasons 1s, where a lot of stuff gets figured out, is hard. And I got to say, there was trials and tribulations, of course, as with any first-time show. So part of the challenge was navigating the system as it was being created. And it was also like, "Oh, wow." So I can't call up the showrunner on X, Y, Z, and be like, "How did you deal with this department? Or like, what's the best strategy for this?" Because it didn't exist. What was that like, lots of growing pains, pressure to make sure every little thing was right? Or kind of just let you do your own thing? ![]() On top of you being a first-time showrunner, this is billed as the first adult animation title from Netflix Animation Studio. On the First Show From Netflix Animation Studio And so, all those things I know were useful and a part of creating the creative person that I am today. And I worked on Disenchantment with the animation king, Matt Groening, who also showed me an entire other style of comedy, which is just to follow the funny and not worry as much about structure and go on a harebrained adventure. I worked on Gravity Falls, where a creative "quirky abstract comedy and heart" marriage type of vibe was instilled in me. I worked at Pixar, where a sense of cinematic storytelling was highly prized. And I take a little bit of that along the way. I would say that my previous work didn't necessarily prep me to be in a leadership role, but I have been lucky to work with a lot of really fantastic people on great projects. I'm excited for everyone to see Inside Job. As a first-time showrunner, how are you feeling on the eve of release here more or less? How do you feel your previous work prepped you for Inside Job? On Being a First-Time Showrunner (Photo: Netflix) Have you already watched Inside Job on Netflix? If so, what do you think? Let us know in the comments, or feel free to reach out and hit me up directly over on Twitter at to talk about all things animation! And keep reading to check out our full interview with Takeuchi! Andre Lee, John DiMaggio as the voice of Glenn Dolphman, Brett Gelman as the voice of Magic Myc, and Tisha Campbell as the voice of Gigi Thompson. Scheimpough, Bobby Lee as the voice of Dr. The show stars Lizzy Caplan as the voice of Reagan Ridley, Christian Slater as the voice of Rand Ridley, Clark Duke as the voice of Brett Hand, Andrew Daly as the voice of J.R. Also, there's a dolphin man with the name Glenn Dolphman, so there's that.Īs noted above, the first 10-episode part of Inside Job is now available to stream on Netflix. Everything from the Earth being flat to lizard people ruling the world in secret is fair game for lampooning. Reagan is a tech genius and the heir apparent, but only if she can put up long enough with her forcibly retired father, Rand, and ineffectual colleagues. The show, if you're not familiar, focuses on Reagan Ridley and her job at Cognito Inc., a company that essentially functions as part of the shadow government for the world at large. The show, which digs deep and pokes fun at conspiracy theories and the "deep state," was created by Shion Takeuchi, and had the opportunity to speak with her just before the first 10 episodes dropped about conspiracies, adult animation, and robot arms. The first part of Inside Job, Netflix's latest adult animation title and the first from the internal Netflix Animation Studio, was recently released on the streaming service.
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